On my first trip to the Lazare Gallery I noticed a painting that looked vaguely familiar. But how could an art gallery so new to me, new in artists, subjects, and styles, have a piece I recognized?
Vyacheslav Zabelin, Rostov Veliki, Oil On Canvas, 1973
Well, it is because Rostov had a lasting impression on me when I visited there this past summer. I truly felt like I had lived there in another life and am eager to return sometime, hopefully for longer than a day this time! The artist Zabelin must have had a similar experience because according to the art historian Sergey Alexandrovich Gavrilyachenko, Zabelin was caught off guard it Rostov’s archaic beauty. After graduation from the Surikov Institute, Zabelin and his peers went on a trip to Vologda to get away from the Soviet city life. From the train, they saw Rostov the Great and initially were only going to stop for a day but ended up never even making it to Vologda. Instead, they stayed for a long time in Rostov. For the rest of his days Zabelin returned to Rostov again, and again eager to paint its beauty.
Vyacheslav Zabelin, Street in Rostov, Oil on Canvas, 1990
In the book, ‘Zabelin: Master of Color- The Life and Works of Vyacheslav Nikolaivich Zabelin’ many were able to convey their admiration of Zabelin. This includes the owner of the Lazare Gallery John Wurdeman, who also played a large role in the completion of this book. In the preface he wrote about personal experience with Zabelin. Wurdeman was introduced to the then living Zabelin after Wuredman’s son graduated from Zabelin’s studio at the Surikov Institute in 1998. Wurdeman then began to acquire Zabelin’s works. By 1999 he was invited to Zabelin’s house to which Zablin noted to Wurdeman that his paintings “look best in frames.” He recalls having a very pleasant evening with the artist. Wurdeman on Zabelin’s work believes “…his easily recognizable style is already apparent by the spontaneity, and the bright and remarkable use of color and light, the very qualities that made him famous.” Wurdeman concluded with, “Zabelin, who was inspired by the French Impressionists, is perhaps, Russia’s greatest Impressionist, although he had his own unique voice.” Similar admiration can be felt throughout the book as many recounted memories and thoughts on Zablin.
Vyacheslav Zabelin, Monastery in Rostov, Oil On Canvas, 1986
Thus I would like to take time to flush out some points of Zabelin and his work. Mainly, the beautiful city of Rostov and Russian impressionism because I feel that few know much about either of these. The contextual knowledge of Rostov and Russian impressionism only deepens ones understanding of Zabelin. Since long blog posts are ill advised, keep an eye out for more soon!